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Auteurs
non spécifiés [1910
- 1968]
«
Giving credit where credit is due », Moving
Picture World 6 vom 12.3.1910, S. 369-370.
« Movies. Man with a golden arm », in
Time 1976 vom 16.3.1962, S. 46.
« Saul Bass », in Print Vol.11, No.6 (May-June
1968), S. 17-37.
« Titles: coming on strong », in Newsweek
72 vom 8.7.1968, S. 64-65.
« Checklist 60-Saul Bass », in Monthly
Film Bulletin Vol.35, No.415 (August 1968)
[1973
- 1987]
«
New King Kong, Deep Jaws and Teenage Graffiti »
prompt title bouts », in Independent Filmjournal
(New York) 77 vom 30.4.1976, S. 7.
« The compleat film-maker - from titles to features
», in American Cinematographer Vol.58, No.3
(March 1977), S. 288-291 ff, 1977
« Coppola asks 70M Apocalypse prints not carry
credits », in Variety Vol.290 vom 26.4.1978,
S. 3 f.
« In focus: credits - at any cost », in
Filmjournal (New York) 83, June 1980, S. 2 f.
« Obliterating an actor's credits actionable;
appeals court finds Montoro damaged Paul Smith »,
in Variety Vol.303 vom 1.7.1981, S. 25 f.
« Books: credits, where credits are due »,
in Filmcomment Vol.18, September-October 1982, S.
78-79.
« Ebony and ivory: the Cotton Club titles »,
in On Location (Hollywood) 8 (January 1985), S. 164.
.........
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/biancorosso/biancorosso.pdf
Creating
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http://www.artbeats.com/community/article.php?id=27
Creating
a title sequence (pédagogie en anglais)
http://www.teachit.co.uk/pdf/227titles.pdf
« The Computer cafe group titles for the movie
Panic Room »
http://www.reservocation.com/02_04/art_cc_pg01_02_04.html
An
interview with Akira Orikasa (Panic Room)
http://www.rendernode.com/articles_p.php?articleId=89
Générique
de la série HBO « Carnivale »
Site officiel : http://www.hbo.com/carnivale/behind/credits/
Making: uemedia.net/CPC/designinmotion/article_4007.shtml
JAWETZ (Gil), in « Entering the Panic Room… »
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GLOVER (Kara), Saul Bass is a desigtning man, 1990
http://www.findarticles.com/p/articles/
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KNOPPER (Steve), « Paying respect to the designers who start off the show », in Chicago Tribune, 12.05.2002
http://www.imaginaryforces.com/
html/index.html?s=news&q=2&id=40
Picture
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http://www.cgfocus.com/Article
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MAKAL
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RASKIN
(Richard), Closure in Truffaut’s 400 Coups
Source: P.O.V., 1996
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RASKIN
(Richard), Closure in The Third Man
Source: P.O.V., 1996
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SORENSON (Daniel), After Effects 7 Title Design, in Lynda
http://movielibrary.lynda.com/html/modPage.asp?ID=208
THOMSON (Patricia), « Vanity Fair: Opening »
Source: American Cinematographer, 2004
http://www.theasc.com/magazine/sept04/vanity/page4.html#
.........
Collectif,
« Film Titles », in P.O.V (Danemark) 1996
http://imv.au.dk/publikationer/pov/
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(Inconnu),
« Titles », in TV Cream
http://tv.cream.org/specialassignments/
films/ideal/ideal2.htm
COUNTS
(James), in « The art of film titles »
Source: 24 Architecture
http://www.twenty4.co.uk/on-line/
issue001/project01/proj01index.htm
FILMLINC,
« The art of film titles »
http://www.filmlinc.com/archive/
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KAU
(Edvin), « Great beginnings and endings… »
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KING
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KOLSTRUP
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McCORT
(K.), « Titles throughout time », in Millimiter,
2002
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LINEKIN
(Kim), « Credit check », in Eye Weekly
(Canada)
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RASKIN
(Richard), « Closure in Truffaut’s Les
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RASKIN
(Richard), « Closure in The Third Man »
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THOMSEN
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»
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TYLSKI (Alexandre), A Study of Jaws incisive overture
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TYLSKI (Alexandre), E.T. a dark and brilliant overture
Source: Filmscoremonthly, 1999
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ZAGALA
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